Jens Geese with a 24″ Oetken Gong is performing a Gong sound journey at an international conference.

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Who Am I?

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Who Am I?

Jens Geese with mallets before a Grotta Sonora gong from Italy at Chapelle Pointue, La Réunion, France.

I was born in 1973 in East Germany. I spent my wild and restless years in a time of great change between East Germany and West Germany — a time of new beginnings and reorientation that shaped the path my life would later take. After training as a carpenter, I first worked in this trade before later studying civil engineering and becoming a civil engineer.

… I was never made to stand still

I have always had a restless mind, searching for its own identity. This is why my life has been marked by many new beginnings. I moved often, changed places, circles of friends, relationships, and ideas of how life could be lived. Again and again, I followed an inner impulse to move forward, even when I had no idea where this path would lead.

Without knowing it at the time, my strong empathy and hypersensitivity played an important role in the way I perceived myself and the life around me. For a long time, I did not realize how much they influenced my decisions.

So I explored different ways of living and engaged with various spiritual approaches that gave me important impulses. During this time, alongside my work as a civil engineer, I completed a yoga teacher training in the French Alps. Yoga opened new perspectives for my life.

And yet, essential questions remained: Who am I? What am I especially good at? What truly brings me joy? And how can I turn this into my profession and touch as many people as possible through it?

… 10,000 kilometers between yesterday and tomorrow

Eventually, my path led me to La Réunion — a major change. Without speaking French and without knowing where this path would lead, I gave up my well-paid job as a civil engineer and left many social connections behind. I did so because I felt that this step would be very important for my future. The impulse to follow this path was stronger than all the doubts and fears within me.

After arriving on La Réunion, I began teaching yoga and taught myself to play the gong. At first, I used the sounds of the gong to accompany the participants of my classes during a short relaxation phase.

Even before moving to La Réunion, I had already had my first experiences with gong sessions. I was deeply impressed by the potential of this instrument and by the effect its sounds had on me.

… 30 minutes that changed everything

During one of these relaxation phases in my classes, I had an experience that would shape my path in a decisive way. What was meant to be a ten-minute sound accompaniment became, for me, almost half an hour of deep creative immersion. I became completely absorbed in the creative process, discovered new sounds, and intuitively followed what wanted to emerge in that moment. Only when this creative impulse began to fade did I realize how much time had passed.

The participants of the yoga class later described these thirty minutes to me as an exceptionally deep experience.

… the birth of a vision

In that moment, I realized that by losing myself completely in the creative process, I had found my personal expression. And through this authentic expression, I was able to touch people deeply.

From this realization, answers slowly began to take shape to the questions that had accompanied me for many years. I understood that through the art of gong playing, I could reach people in a way that corresponded to my perception and my sensitivity.

In the following years, as I continued to explore the art of gong playing, I also realized something important: whenever I tried to force something, or to play in a way that did not correspond to my creative impulse, the sounds lost depth and effect.

From all these experiences and realizations, the vision emerged to make the art of gong playing my profession.

…the price of freedom

Jens Geese with a 36″ Oetken gong from Germany at sunrise at Cap Noir, Dos d’Âne, La Réunion, France.

But this vision had a price. Years of financial uncertainty and personal losses followed. Especially after the death of my mother, I had to let go of a great deal of emotional and material weight and put my life in order once again. Often, I did not know how things would continue.

I reduced my needs more and more, even to the point of living in my car for a longer period of time and keeping myself afloat with occasional work. At the same time, I had an unwavering will to make this vision become reality. Everything connected to the gong, sound, and creative expression fulfilled me and kept rekindling my passion.

Looking back, this time was not only marked by sacrifice, but also by a great sense of freedom that I still carry within me today. Because when you have nothing left, nothing can hold you back.

It was precisely during this uncertain phase of my life that I found the inner stability I had been searching for so long in the outside world.

… from a vision to a community

During this time, I also received the first requests from people who wanted to learn gong playing from me. What began as sharing my own experiences gradually developed into the training format I offer today.

Individual trainings became group trainings. From these training groups, a community of gong players began to emerge. This community developed its own style of gong playing, one that reflects life on La Réunion.

Together with this community, I initiated an association that supports long-term collaboration in creative projects. These include concerts, international exchange projects, and scientific studies on the effects of gong sessions.

… more than a pleasant noise in the ears

Working with people with physical and cognitive disabilities has a special meaning for me. The sound journeys I am allowed to create for them continue to fill me with humble wonder and gratitude.

They show me that sound is far more than pleasant noise in our ears. It can reach people where words have lost their effect. It can bring calm where the noise and stimuli of the world can only be endured with ear protection. And it can make sensory experiences possible where the body is held captive by its own immobility.

These experiences strengthen my conviction that the gong itself is only a metal disc — it is neither sacred, nor healing, nor magical. It is the person standing before the gong, and the people gathered around it, who give meaning to the sound. They give purpose to the sound potential of the gong and turn it into an experience that connects and inspires.

At this point, I find it difficult to write a closing sentence. Perhaps this is because I do not feel that anything is ending here. Life continues, and with it the encounters, experiences, and stories that shape us.

That is why I would rather open my biography toward the future with a thought by Rainer Maria Rilke:

“And now believe in a love that is kept for you like an inheritance, and trust that within this love there is strength and blessing.” 

— Rainer Maria Rilke